Catcher in the Rye ducks in the pond Symbolism Essay Essay

In The Catcher in the Rye J.D Salinger utilizes Holden’s repeating notices of the ducks in Central park to uncover the virtuous interest and certifiable side to Holden’s routinely obtuse and overwhelmingly pessimistic character. During his first of a few taxi rides in the city, Holden, troubled by the idea of steady change yet charmed by the idea of how others adapt to change starts to solicit his taxi driver the whereabouts from the ducks in Central Park when the lake freezes over. â€Å"Then I thought of something, out of nowhere. â€Å"Hey, listen,† I said. â€Å"You know those ducks in that tidal pond directly close to Central Park South? That little lake? By any possibility, do you happen to know where they go, the ducks, when it gets all solidified over? Do you happen to know, by any chance?† I understood it was just one possibility in a million. He 'pivoted and saw me like I was a maniac. â€Å"What’re ya tryna do, bud?† he said. â€Å"Kid me?†Ã¢â‚¬  Noâ€I was simply intrigued, that’s all.† (60). As exemplified by numerous images all through the book, for example, the wax exhibition hall, Holden discovers comfort and solace in things that are consistent and don’t change. Holden’s connections are attacked by his hatred of â€Å"phoniness† and his conspicuous and excessively critical side, continually overpowering and sabotaging the veritable and caring side seen just when Holden feels support and invited by his condition. His red chasing top is another image of security for Holden. â€Å"Ackley looked again at my cap . . . â€Å"Up home we wear a cap like that to shoot deer in, for Chrissake,† he said. â€Å"That’s a deer shooting hat.† â€Å"Like hellfire it is.† I took it off and took a gander at it. I kind of shut one eye, similar to I was training in on it. â€Å"This is a people shooting hat,† I said. â€Å"I shoot individuals in this hat.† (22). When Holden says â€Å"I acknowledged it was just one possibility in a million.† (60), as he suggests his conversation starter about the ducks to the taxi driver, is his method of â€Å"people shooting† as exhibited by his top, a method of making the differentiation between somebody who might respond to his inquiry truly, or somebody in his psyche â€Å"phony†, or pretentious, blurred by the unfeeling real factors of development and the grown-up world. This extremely rare possibility is Holden alluding to his acknowledgment that the chances of a total outsider addressing his inquiry truly, are in the same class as none. Besides, the nonstop change and consistent moving in Holden’s life, the two of which he completely despises are emblematic of the ducks. Holden’s changing from school to class is practically repetitive, just like the movement and the arrival of the ducks when the lake comes back to its unique state. At last, Holden winds up caught in a condition of aching for his youth, his regular utilization of liquor and cigarettes and feeling of development, every one of the a faã §ade, veiling his longing for an existence of guiltlessness and genuineness. â€Å" It was mostly solidified and somewhat not solidified. Be that as it may, I didn’t see any ducks around.† (154). At last, Holden’s condition is characterized by the tidal pond, not solidified, not unfrozen. He is actually that, in a progress among youth and adulthood, half solidified and half not, the ducks in the lake being an everlasting image for the hesitance he shows to change to adulthood, and his vain endeavors to slow the unavoidable procedure of development.